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Drop us a line anytime: firstname.lastname@example.org (Los Angeles)
The early 70s were an incredible time for RocknRoll. Music had lost it’s virginity and abuse of all sorts was running rampant. Bands were turning up, de-tuning, and dropping out left and right. Bad trips and other people’s battles were bumming everybody out and the discontent was palpable. These vibes are what informed Salt Lick’s first recordings. Informed and influenced by the Motor City scene as much as the boneheaded side of the American underground, Salt Lick recorded these two crunchy tunes in one short late-night session in a seedy LA neighborhood. Bargain basement beer flowed like wine and you can almost hear the pull-tabs being popped over the hiss of the tape machine. The men of Salt Lick came together over a collective disdain of the castrated rock they’d been hearing and wanted to toughen things up a bit, all while keeping it groovy. “If the ladies ain’t having a good time, no one is.”, one member recalls thinking. This 45 was pressed in a limited quantity of 300 copies, 100 of which on coke-bottle clear vinyl. No picture sleeve necessary. Everything you need to see is on the label. Recorded by Hunter Scztroop and Erik Lake at Black Diamond. Engineered by Jorge Explosion at Circo Perrotti Studios in Gijón, Spain. <CONTINUE>
Digital Downloads & Streaming
Many Permanent Records label releases are available for digital download through: Revolver, emusic, Google play, iTunes, Amazon.
Also many Permanent Records label releases are streaming through pretty much everything that has a “play” button on the internet. Examples include: Spotify, Rhapsody, rdio, Deezer, and YouTube.
If you're a distro or shop that would like to stock our releases, please get in touch for wholesale rates.
Still Available Label Releases Direct On Permanent Records!
LP - Leather Slave - Leather Slave (Black Wax, Ltd 200)
PERMANENT RECORDS' 43RD LABEL RELEASE!
Leather Slave are from LA and sound a lot like Brainbombs. Here are some review excerpts from Julian Cope's Head Heritage site:
"I've never heard any band...match what [Leather Slave] did. Period. From what I heard the band is still going strong, although I dunno if it's still the same lineup... Of course one of the enigmatic things about this band is that they don't list credits or any information about themselves...But the thing that really sets this band apart is not only that the musicianship is brilliant, but that they have no redeeming value whatsoever(!) It's rock 'n roll at it's most primal and destructive -- what your parents feared in such music. Think Rolling Stones circa Exile on Main Street crossed with an even more stripped-down Raw Power by the Stooges, along with the more anarchic moments from the Swans, topped off by the writings of De Sade and Peter Sotos and yr halfway there... It's "Horror-Punk" except inspired by "Last House on Dead End Street" rather than "Teenage Frankenstein" or whatever...
Their...album starts off deceptively innocuous...but gets shattered by a devastating discordant riff, with what could be a manifesto of some sort. "If you have the fucking power, then use it to kill them all!"
Again the amazing thing about the band is the musicianship, although the songs are not songs as much as they could be called loops in a way -- mostly a series of tight grooves that threaten to fall apart and often do. The drummer has a particularly nimble touch here, but can kick out the jams just as John Bonham can... The guitars manage to sound incredibly sick and brutal, pretty much adding to the theme, but even when they restrain it a little the effect is still quite disturbing. As for the vocals, it's not singing as much as speaking...but somehow it still works in the overall musical fabric, so to speak...
But the playing's extremely good -- they seemed to have studied rock 'n roll right down to its blues/country roots.
Of course the album closes with a totally repellent track that's a noisy, discordant mess, although that drummer still manages to keep it together which is (again) amazing... Probably this band isn't for everyone's taste, but if you like good rock 'n roll and at the same time appreciate what Whitehouse does, then this is for you."
This review is technically of Brainbombs "Obey", but since Leather Slave have so much in common with Brainbombs, we imagine Mr. Cope would have exactly the same thing to say about Leather Slave. Genius and Brutality. Taste and Power. For days.
RIYL: Brainbombs, Francis Harold & the Holograms, Rectal Hygienics, Fang, AmRep
LP - Basic Cable - I'm Good To Drive (Black Wax, Limited to 200)
Permanent Records' 39th label release!
Our buds at the Empty Bottle penned this little bit about Basic Cable for our 7th Year Anniversary party and we think it sums these snide booze fueled bad vibe bringers up very fucking nice:
"Channeling bad vibes, worse hangovers and a general life-keeps-shitting-on-us attitude, Chicago's BASIC CABLE find a way to have fun as they commiserate with each other, and their listeners. Fairly new to "the scene," their blown out guitars, shouted, monotone vocals and punishing rhythms make for a noisy, punk-as-fuck attack that tingles our dingles in ways we can barely comprehend." – Empty Bottle
Review snippets from split flexi single with Endless Bummer on Notes and Bolts / Eye Vybe Records:
"Basic Cable, formed by ex-Loose Dudes, Heavy Times, and current Running members, is a thrashing two minutes of caterwauling vocals, and instruments that sound like they're going to fall apart at any moment." – Notes and Bolts / Eye Vybe Records
"Basic Cable, comprised of some Chicago's assorted noteworthy maniacs from various other quality acts mentioned above, lean in thick and mean with a paranoid rocker that pummels a riff into the ground while some terrifying laser sound sets its sights for your soul. It's all over waaaay too soon, so here's hoping we're getting more material from BOTH acts in the near future. Savagely Recommended." – Permanent Records
RIYL: Cows, Jesus Lizard, Pissed Jeans, METZ, Watery Love, Fang, AmRep
LP - MERX - 20000 Sq Ft Under The Sea
A's MERX is back with another platter of menacing post-punk, no-wave, cold-wave, industrial electronic thinking-man's creep terror.
Reviews of 20000 Sq Ft Under The Sea:
"Second release from this LA band, originally a Skrot Up cassette but now a spin down slab of vinyl thanks to this Permanent press. If you like mad intoning renegade preacher/vocalists, even if you never stumbled across Suicide before, this album is for you. On first listen, I was smitten. And that first track, with deep voice wordless and reverbed into wanton rant. Hell, yeah! Side 1 songs come and go like sitting at a busy intersection during rush hour and watching for weirdos go by in cars. These songs feel like they are chrome-plated with tinted windows so you can’t quite see what’s inside them. Maybe a body, maybe a couple of tanks of oxygen, or is it a toxic chemical? Like those car occupants, the 8 songs on side 1 are gone but leave an indelible impression. Drum machine makes you want to dance, but the baritone madman vocalist is staring at you so you better not move. Little rifflets of guitar that could have an ocean of spy surf behind them. Rev’d up synths idle wildly. After my second listen, I felt like I was in a dingy bar with only bouncers, and each bouncer is trying to throw another bouncer out. The flip side is a single track at 45 RPM PLEASE NOTE. It’s kind of a chaotic free form take of the tighter vibe from the songs on the flip (indeed lyrics from 20 Sq Ft get howled into the fray). Kind of a lunatic jam with that poet/prophet/pervert shouting in the storm. Really digging this release. A rare burly form of synth rock!" (Thurston Hunger, KFJC 89.7 FM, 12/12/2013)
[cassette version on Skrot Up]
"I thought I read somewhere that Merx is an offshoot of some sort stemming from the German Army family tree, which would be awesome. No matter: Twenty Sq Ft stands on its own at the summit of randomness, flitting from disguise to disguise until they barely recognize who’s staring back at them in the mirror. They can be muscular and threatening or, as “Swim Job” attests, quite funky, or at least as funky as a limited-run tape band can be. I suppose gloomy post-punk would have to be brought up in the conversation if you were trying to describe this cassette to a dipshit, but umbrella terms aren’t going to protect you from the unrestrained, infectious enthusiasm pouring from the pores of these sketchy tunes. Let them do their work and Merx will reward you in a perplexing manner. Which reminds me: Do you have the proper documentation to be listening to Twenty Sq Ft? Write Skrot Up to secure the appropriate paperwork." (Grant 'Gumshoe' Purdum, Tiny Mix Tapes, 10/28/2013)
RIYL: Suicide, Throbbing Gristle, DNA, SPK, German Army, Brotman & Short, Cold Wave
LP - Afflicted Man - I'm Off Me 'Ead (Official 2013 Reissue, Repress, Black Wax, Ltd 300)
Permanent Records' 36th label release!
"I'm Off Me 'Ead" is DIY psych punk (or "Hippy Punk" as Steve Hall calls it) at it's finest, but don't just take my word for it. Heavyweight record aficionados such as Henry Rollins, Byron Coley, Tom Lax, Doug Mosurock, and Geoffrey Weiss are BIG fans...
The idiosyncratic music critic, Byron Coley (Forced Exposure, Bull Tongue, Spin, Wire, Arthur), really lays it out there: "Steve Hall's Afflicted (Man) project was one of the greatest mystery wobbles to come out of the Brit DIY explosion. Trying to figure out what the hell these records were about took years to unravel. We even thought there might be a Nurse With Wound connection when United Dairies released the Afflicted Man's Musica Box LP. We were stupid, but can you blame us? The slurred psych blues of I'm Off Me 'Ead were so unlike anything else going on at the time, it almost seemed like the whole thing had to be a put-on of some kind. There had been those earlier records, sure, this one felt way different. The concept of UK stoner-punks had existed for a few years, but their output had tended towards the arty end of things before this. There's a latent brutality to Im' Off that truly lashed our feeble minds. But maybe that's only because L.A. was awash in very good acid right about then. Still, it remains extremely difficult to place this music inside the contextual history of what was going on then. Jesus, I would have loved to have caught a gig or two. Unimaginable. I bought I'm Off Me 'Ead at the old Vinyl Fetish store on Melrose in '81, same year I finally managed to snag a copy of Randy Holden's
Population II, and they were both records I'd play to anyone who dropped by our pad in Santa Monica for a listening session. The utterly fucked-up-ness of both guitarists never failed to astonish anyone who wasn't too wasted to acknowledge what they were hearing. And so it is."
Tom Lax's Siltblog posted this: "Afflicted Man's style could best described at stock-in-trade Brit DIY w/an almost Street Level sort've quality to it…Too freaked out for punks, too punked out for freaks... must've felt like a rusty safety pin stuck straight through the heart of whatever DIY fanbase Hall had acquired. And for all the Pink Fairies or Hawkwind type's that mighta come across it, it was too primitive & animalistic for their quid."
Geoffrey Weiss' is one of the most venerable record collectors in the world. He summed it up like this: "Deliriously incompetent, frighteningly direct, and bafflingly out-of-time, there is no doubt that Steve Hall is in touch here with something most of us can't get near. "
We here at Permanent absolutely love this record and are incomprehensibly honored to be the label reissuing it on vinyl for the first time ever. It's been fully licensed by Steve Hall himself and painstakingly remastered by the total pros at Penguin Recording in Eagle Rock. The jacket artwork was graciously reconstituted and touched-up by Bill "Trouble In Mind" Roe. The full-color "I'm Off Me 'Ead" inner sleeve contains a bunch of unseen Afflicted Man photos, an unpublished interview with Steve Hall and a fully authorized reprint of Chris Stigliano's article from Forced Exposure #9 (Winter 1986).
The second pressing (let's hope there's demand for multiple) is limited to 300 copies worldwide.
RIYL: Hawkwind, Pink Fairies, Deviants, The Fall, Alternative TV, Coloured Balls, Michael Yonkers, Vic Godard, Mark Perry, Private Press / Outsider Rock, and REPETITION
Official Tshirts Still Available!
LP - Bitchin Bajas - Krausened EP (Black Wax Repress Ltd 300)
Out of stock
Permanent Records' 34th label release!
Fans of Terry Riley, Kraftwerk, Conrad Schntizler, and Kosmische Musik in general take note! Bitchin Bajas has returned to Permanent Records (following their split single with Moon Duo) with a brand new record of side-long transcendental synth workouts. This is Bitchin Bajas most accessible and autobahn ready delivery to date!
Bitchin Bajas began as a side project, but Cooper Crain of CAVE and Dan Quinlivan formerly of MAHJONGG have been spending as much time, if not more, with Bitchin Bajas as they have with the aforementioned groups and they've been progressing very quickly. In just two or so years, Bitchin Bajas have released three critically acclaimed LPs (one on Important Records and two on Kallestei Editions), two incredible splits (one with Moon Duo and the other with the Peaking Lights- related Faceplant), and one very limited edition cassette tape.
The two side long pieces on this nearly 40 minute EP were written on their 2012 European tour and recorded and mixed over three days by Bitchin Bajas at Minbal Studio in Chicago, Illinois.
Features eye-popping cover artwork by artist Jeremy Kannapell.
"A whole mess of cats in the drone-age try to spiral upward to the heights of Bitchin Bajas, but few nail the sacred combination of Harmonia/Neu! and Steve Hillage circa Rainbow Dome Music with the same air of confidence." - Tiny Mix Tapes
LP - Heater - God and Hair (Regular Edition on Black Vinyl)
Permanent's 17th label release!
Heater is a three-piece Columbia, Missouri super group, if such a thing exists. Heater's guitarist and lead singer, Zach "Zz" McLuckie, used to be a member of CAVE and Sneakers (both have released records on Permanent Records), among others. Heater's bassist / second guitarist, Jeremy "Jerusalem" Freeze also plays guitar in Jerusalem and the Starbaskets and both he and Heater's drummer, Jon "Wujj" Wujick, formerly jammed together in California Raisins (their only release was a split 10" with CAVE also on Permanent).
Now that you have the band history, we might as well get into the sounds confined within, Heater's first widely distributed release. "God and Hair" is a super upbeat, melodic pop record in essence, but as I mentioned before, these guys come from a very DIY background. It's got some fast repetitive lo-fi punk rock jams with reverb enhanced vocals similar to those found on the Sneakers "Children Into People" EP, and some Clean-esque pop elements, but it's also got tracks with a great laid back summertime '90s alt-pop vibe not too dissimilar from the least noisy '90s moments of Sonic Youth and Sebadoh. All of these elements come together and make for a unique sound (thanks to a little help by Cooper Crain of CAVE's analog production techniques) and make for one hell of a summertime DIY pop jammer. Here comes the summer (of pop)!
There are only 500 copies of this limited edition LP and it may never be pressed again.
LP / CS - Purling Hiss - Purling Hiss
Permanent Records' tenth label release, which sold out immediately upon its original release, has been repressed for a SECOND time in another edition of 300 copies!
Purling Hiss has recently released records on Richie and Woodsist and garnered rave reviews from just about everybody who's heard 'em. This eponymous LP on Permanent is where it all began! Here's the story: Purling Hiss is the side-project of Holy Mountain recording artists Birds of Maya guitarist Mike Polizze. Birds of Maya are a full-on psychedelic rock band from Philly. Apparently, Birds just aren't full-on enough to satisfy Polizze's far-out tendencies. On his debut solo record Polizze plays bass drums and guitar relentlessly as if he's playing to save his life. This recording is so intense that the pressing plant told us they'd risk breaking their equipment if they cut the lacquers with the original master. We sent 'em a new master and it sounds great! For Fans Of- Birds of Maya Earthless, Loop, High Rise, Les Rallizes Denudes, and lo-fi, blown-out psych. Obviously, this one comes highly recommended.
LP - Anals - Total Anal - 2015 Hand Screen Printed Reissue
BACK IN PRINT WITH KILLER NEW ARTWORK AND LIMITED TO 50 COPIES!!!!
NEVER TO BE REPRESSED AGAIN!!!!!!
Metz France seems to be teeming with great bands these days. Cheveu Feeling of Love Normals and A.H. Kraken are just the tip of this incredibly huge Metz iceberg. Many of these bands share members but they all have their very own sound. The Anals sound is similar to the aforementioned bands in their abrasive weird punk base but this duo is more obliviously influenced by the German industrial electropunk group D.A.F. (via the Brainbombs) than any of their peers. Their single on Sweet Rot sold out almost immediately and the demand prompted a repress. Now heres your chance to hear this unique duo?s entire recorded output. This anthology LP includes both songs from the single plus ten previously unreleased tracks.
LP - Frankie and the Witch Fingers - Sidewalk
Out of stock
* 150 ON LYSERGIC SPLATTER VINYL EXCLUSIVELY AT PERMANENT CHICAGO AND LOS ANGELES!
* 350 ON BLACK VINYL FOR WHOLESALE
* DEBUT RELEASE FIRST TIME ON VINYL (previously cassette-only)
I really don’t like to make comparisons when it comes to bands that I enjoy, there’s always something different and unique, at least in my eyes, about what I’m listening to. I do not enjoy derivative bands much. So, while Frankie And The Witch Fingers may sound like Ty Segall started a new band with Jay Reatard and they got Charlie Mootheart to join in on the fun, they’re really just a ridiculously talented lo-fi garage rock outfit in my eyes and I couldn’t mean that as a greater compliment. From the moment you start the titular title track on their debut album, Sidewalk, you can hear a deep appreciation for late 60’s and early 70’s psychedelia, refined and captured in the same emphatic and impulsive way, while dragging tricks and sounds from the last fifty years along for the ride. While Frankie And The Witch Fingers seem to incorporate a few more dissonant sounds and breaks, think 13th Floor Elevators or The Velvet Underground, to really spice up the sound and add a level of dissonance to the tightly crafted garage pop melodies, that just seem to melt out of your speakers. Reverberation and fuzz dosed guitars shimmer and undulate in the songs, while echoed vocals float above the instruments, blending in and out of fits of distortion and rave-ups. The bass and drums are like calm pounding waves, powerful enough to chip away at a mountain with out raising an un-needed racket while doing so. Tracks slowly build moment and break into amazing walls of sound and distortion, before fading back into the shadows to reveal the skeletal melody of the song again to let you take it all back in one more time before you’re done. My favorite tracks are when they just hit the gas though, pounding riffs and thundering bass twisting together like a Porsche hitting a lamp post at a hundred and eighty miles an hour, taking your mind along for the ride! Sidewalk has only been released as an extremely limited cassette tape at this point, but word is that might be changing sometime soon but either Frankie And The Witch Fingers is prepping for the release of their second full-length album before the end of the year. I would usually have held off talking to them until the album release but I have to admit, these tunes really got into my head! I couldn’t find a way to buy a tape, hell, I couldn’t even find out who put it out, and I was hoping to score a copy. While I was chatting with these guys though, I just couldn’t help but do an interview; listen to Sidewalk and tell me you wouldn’t have done the same! What follows is a glimpse at a band that in my opinion is on the brink of really bringing the heat. These dudes are just serious enough about what they do to make amazing music and they have enough fun making it, you can hear it through your speakers on every track. After a recent relocation from Indiana to California, I have no doubt you’re gonna be hearing a lot about Frankie And The Witch Fingers before long. In the meantime, get a head start and check out the story so far below, and for the love of all that’s holy – click the Bandcamp link and take in some of the best garage rock you’re gonna hear this side of 1969! - Roman Rathert (It's Psychedelic Baby Magazine, 2014)
LP - Frankie and the Witch Fingers - Brain Telephone - Reissue
As the diamond hits the plastic on Frankie and the Witch Fingers' Brain Telephone, a sonic tornado swirls out of the speakers and into your ears like a psychedelic party-line flipping a black-and-white world into technicolor. The quartet cooks up a cachophony of sounds which boil over as the troglodyte beat and the fuzzy phased-out guitars melt together. From here, the spell gets sweeter. A rock n' roll groove laced with slap back and heady lyrics quickly connects your call to the Witch Finger's acid boogie shack nestled deep in the belly of Los Angeles. A transformation occurs as mind bending shadows appear on a yet-to-be-named purple planet with lush gardens of grinning neon fungi bopping and swaying along to each catchy hook and chorus. The serpentine tape reels capture Texas barn burners, hallucinogenic Chuck Berry guitar licks, and middle-eastern rave-ups along the way as well. This adventure is littered with evil caricatures and surrealistic visions that will warble your mind, if you stay on the line.
150 black vinyl
100 clear vinyl
LP - Watchout! - Flashbacker - Black Wax
BACK IN PRINT!!! Domestic reissue of Chilean group's debut LP, previously available only on CD and a uber-limited lathe-cut import LP; WATCHOUT! is the lovechild proof that Os Mutantes and Popol Vuh had an elicit rendezvous in mid--’70s Santiago. This Chilean rock group blends krauty synth textures with a Tropicalian style not so successfully crafted since the ‘70s. Latin rhythms, fuzzy, wah--wah guitar leads, and melodic organ patterns are sewn sweetly together to create a quilt of psychedelic pop that would comfort even the coldest Brazilian psych aficionado. This LP was one of the best unheard and under--released records of 2011. Flashbacker includes seven tracks of ‘60s Brazilian psych, ‘70s German hypnotism, ‘80s UK fuzz pop, and Indian raga influenced jams all seamlessly and brilliantly woven together. Originally planned for Record Store Day 2013. New pressing in an edition of 300 copies.
7in - Hooveriii - Guillotine
Out of stock
The A-side is a chugging minimal number with a hooking riff. The song is about cutting your brain in half and letting your fears pour out. The flip is an improvised instrumental jam inspired by Krautrock staples like Can & Amon Düül II.
Hooveriii is Bert Hoover from Mind Meld and Jesus Sons on vocals and guitar, Gabe Flores from Babylon on Guitar, Kaz Mirblouk of Numb.Er on bass, Shaughnessy of Jesus Sons and Triptides on Drums, and Jaiq Styne of various LA bands on synth.
Limited to 300 copies
200 Black Vinyl
100 Translucent Purple
7" - Salt Lick - Doctor (Of Love)
LIMITED TO 300 COPIES:
100 Coke Bottle Clear (LIMIT 1 PER CUSTOMER)
LP - Hooveriii - Hooveriii
Never before has a debut album so seamlessly mixed all the best subgenres of 60 years of rock into such a fantastic crystalline stalactite. If the sounds contained within these grooves could be distilled down to something edible, even the smallest dose would be lethal.
Recorded under the influence of Hawkwind, Amon Düül II, Black Sabbath and NEU!
Only 300 pressed!
200 - black vinyl
100 - Seedling Splatter colored vinyl (LIMIT 1 PER CUSTOMER)
30 - Test Pressings w/hand screened jackets. (LIMIT 1 PER CUSTOMER)
Produced by Tomas Dolas (Mr. Elevator / OCS )
Mastered by Mikey Young (Total Control)
Artwork by Jesse Fillingham
LP - Grave Flowers Bongo Band - Flower Pot - PRE-ORDER
Hey man, could you use a little serenity? Grave Flowers Bongo Band thinks we could all use a little and they’re here to give it to us. In order to enjoy this record, you don’t have to get dressed. In fact, it’s probably better that you don’t. And you definitely don’t need to leave the house. This record is best experienced in the comforts of your own home, just as long as your home is as peaceful as it should be. If it’s not, “Flower Pot” should be enjoyed naturally. The organic vibes the Bongo Band project are just as soothing as they are psychedelic. There’s a lot going on here, but the record also feels very simplistic, like a more modern take on Ted Lucas, Sam Gopal, or Tyrannosaurus Rex. The journey is largely acoustic and serene, but the electric and slightly more chaotic moments compliment the rest of the instrumentation like honey on granola. “Flower Pot” is the perfect soundtrack for your next sacrificial effigy burning, but it’s also a record that you can make out to. It’ll ease you into the day or take you away after a long night. A perfect prescription for whatever ails you. I’m sure it’ll blow your mind, regardless of your mental state. Side note: It’d be a goddamn shame if the Bongo Band doesn’t turn into a cult, or at least develop a cult following.
“Flower Pot” was recorded entirely on magnetic tape and the bulk was done at Uly Noriega’s Laundry Room Studio in the El Sereno neighborhood of East Los Angeles in February 2018. The remainder was done on Bert Hoover’s Tascam 388 at Black Diamond Rehearsal Studios with Hunter Stroope. The finishing touches were done in May 2018. Uly Noriega was the recording engineer and did all the mastering as well.
Grave Flowers Bongo Band consists of:
Vaughn Christensen: Bongo
Andy Caly: Electric Bass Guitar
Gabe Flores: Guitars, Vocals, Sax, Synth, Percussion
Gabe Flores currently plays in Hooveriii and formerly fronted the LA rock powerhouse Babylon, but has “always loved Charles Manson’s “LIE: The Love And Terror Cult” sound with the shitty production campfire vibes hand drums and and acoustic guitar and wanted to try something like that!” So under the influence of Manson, Sam Gopal, Love, Kevin Ayers, Funkadelic, Peter Green, and “all the freaky folk freedom rockers from the 60s and 70s” Flores created “Flower Pot”.
Grave Flowers Bongo Band has only played ten shows so to date, but has already shared the stage with Jessica Pratt, Ex-Cult, Shannon Lay, Follakazoid, Stonefield, Mad Walls, and Levitation Room among others. Keep your eyes peeled for more live performances in the near future!
Only 150 pressed!
Only 30 Test Pressings available!